Beverly Hopper (
runtowardsomething) wrote2022-07-08 05:21 pm
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When the ferry finally comes, Beverly is exhausted and blood-spattered, still only half-present. She's far from the only person who dealt with such an altercation this weekend, and she doubts she's the only person who walked away from someone who wouldn't get back up. She doesn't regret it — or she wouldn't, if she could actually remember what she did. Those few minutes are still a blank in her mind, a sensation not wholly unfamiliar. She remembers being dragged from her tent, and the sheer panic in being held down; she remembers her hand finding purchase on a tree branch.
The first memory she has after that, though, is of standing on the beach, holding that branch like a club, her hands and face marked with someone else's blood.
Nothing is going to come of it. She's already been assured of that. All the festival-goers have the same story — an unprovoked attack in the middle of the night, fights that very well may have been kill or be killed. Beverly isn't so sure that's actually what motivated her, but it makes no material difference. It was self-defense. No one could claim otherwise.
That doesn't leave her any less rattled as the boat carries them back to the mainland. Someone has draped a blanket around her shoulders, and in the slight dawn chill, she's grateful for it, pulling it more tightly around herself. The t-shirt she was sleeping in is bloodstained, too. She heard a mention of it possibly being needed for evidence, but that's largely irrelevant. It doesn't change anything. She just wants to get home and get the blood off herself.
With phone signals having cut out so early in their stay, she hasn't talked to Hopper since she left. Somehow, though, she knows he'll be there when the ferry docks. It's an odd thing to be assured of, to have faith in, and yet it's true — both that she does, and that he's there.
Tired, relieved, suddenly feeling like she's about to cry, Beverly steps off the ferry back onto solid ground and heads right for him, still wearing the blanket. She doesn't know where it came from. She can figure that part out later.
Cracking the barest hint of a weary smile, she croaks, "So Pyre Fest really sucked."
The first memory she has after that, though, is of standing on the beach, holding that branch like a club, her hands and face marked with someone else's blood.
Nothing is going to come of it. She's already been assured of that. All the festival-goers have the same story — an unprovoked attack in the middle of the night, fights that very well may have been kill or be killed. Beverly isn't so sure that's actually what motivated her, but it makes no material difference. It was self-defense. No one could claim otherwise.
That doesn't leave her any less rattled as the boat carries them back to the mainland. Someone has draped a blanket around her shoulders, and in the slight dawn chill, she's grateful for it, pulling it more tightly around herself. The t-shirt she was sleeping in is bloodstained, too. She heard a mention of it possibly being needed for evidence, but that's largely irrelevant. It doesn't change anything. She just wants to get home and get the blood off herself.
With phone signals having cut out so early in their stay, she hasn't talked to Hopper since she left. Somehow, though, she knows he'll be there when the ferry docks. It's an odd thing to be assured of, to have faith in, and yet it's true — both that she does, and that he's there.
Tired, relieved, suddenly feeling like she's about to cry, Beverly steps off the ferry back onto solid ground and heads right for him, still wearing the blanket. She doesn't know where it came from. She can figure that part out later.
Cracking the barest hint of a weary smile, she croaks, "So Pyre Fest really sucked."

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Right up until the moment he sees her.
She's blood stained, worse for wear, battered, but alive. Hopper cuts through the crowd to meet her and when she speaks, he coughs out a ragged laugh, then grabs her by the shoulders and pulls her to him.
"Jesus Christ, kid," he says into her hair.
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"I'm okay," she says, little more than an exhale, and if she sounds like she's trying to convince herself of that as much as she is telling him, then she doubts she could be blamed for it. "I'm okay. I'm not hurt."
She doesn't know what he's heard, what kind of news made it back. Still, if anyone has found out anything, she figures it would be someone in a position like his, and anyway, she's sure she looks a mess, disheveled and marked with blood. She should at least let him know that it's not hers.
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That isn't something Hopper could have said a few years ago, not about himself, and not about the kid he was caring for.
"Good," he says, still holding her tight. "That's the most important thing. C'mon, let's get you home so you can get cleaned up."
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She doesn't regret what she knows she did, but that doesn't make it any less unsettling to come back to herself with a body by her feet and blood on her hands, a seconds-long blank space in her memory.
"Yeah," she agrees, her voice quiet and a little rough. "Home." There's little she wants more right now than to wash the blood off herself and get rid of the bloodstained clothes, even if they have to be saved for evidence or whatever. "I'm glad you're here."
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Eventually, someone had gotten through. And now everyone is back on land, away from whatever fucked up stuff is going on with that island. A place Hopper intends on investigating at some point.
Now, though, he has a daughter to take home.
With his hand still on Beverly's shoulder, he leads her through the crowd toward his truck. When the station had called, he hadn't even thought about bringing a police vehicle, had just gotten in the first thing that would drive him here.
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Neither of her biological parents ever did anything for her. Her mother left her with a monster, and that monster was her father.
Drawn in on herself, she lets him lead her over toward the truck, almost grateful for the crowd. People are less likely to look at her this way. She just wants to be home and clean and safe. "It was bad," she says, a little blank. "I don't know how much anyone here knows."
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"There was talk about cultists, too," he continues. He had wanted them to be alone for this part. She's covered in blood, after all, and it doesn't belong to her, so Hopper has an idea something bad has happened to Beverly in particular. "Like those creeps in East Hallow. People in robes trying to attack the folks who'd come for the shitty festival."
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That doesn't make it any easier to say. She looks down at her hands, traces the scar that runs diagonally across one. Both her palms are still scraped from the bark of the branch she picked up, that she hit someone with. That she defended herself with. Hopper will get that. She knows he will.
"Yeah," she says, her voice rough. "That's pretty much it." For the festival, it is. For her specifically, not so much. "One of them... came into my tent. He was trying to drag me away, I guess. I don't know, really, what happened after that. I don't remember it. But I managed to grab a tree branch, and..."
Despite the blood on them, she presses the heels of her hands to her eyes for a moment. She's already a mess anyway. It won't make any real difference. "The next thing I knew, I was standing there, holding it, and he was..." She can't say it. She doesn't actually know. "I think I might've killed him."
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"You don't remember it?" he asks.
Blackouts are something Hopper is familiar with, but his have mostly been due to alcohol or the drugs he used to take. Beverly, though, it sounds like she might've just blocked it from her memory. Forgotten it on purpose, something her brain does to protect herself. He wouldn't blame her for that either.
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She shrugs, but there's nothing casual or easy about it, watching Hopper carefully as if for any signs of disapproval. "Someone on the boat said no one was gonna consider it anything other than self-defense. But it still... happened."
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“They hurt a lot of people,” Hopper continues. “That annoying kid who can’t die? Someone said he was stabbed to death by them. It was self-defense, kid.”
He’s quiet for a minute, then asks, “How’re you feeling about it?”
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"I don't know," she adds after a long moment's thought, gaze turning down at her lap, mouth pulled into a small, careful frown. "I know... I did what I had to. The only thing I could." It would be easier if she had actually been thinking that at the time. Instead, she hadn't really had time to think, and then her brain shut off entirely. "But the... the not knowing, the space that's just blank... it really freaks me out."
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"Sometimes our brains do that," he says. "To help us. To... protect us, y'know? I'm sure your therapist can explain it better than I'll ever be able to, but it might not be all bad, not bein' able to remember that stuff."
There are times Hopper wishes he could forget. The knowledge of what he was doing when he was mixing up Agent Orange, the horror of the aftermath, the silence in the room after the doctors had stopped working on Sara. He wishes he could erase it all.
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"Yeah, I guess I'm gonna have a lot to unpack in therapy this week, huh?" she asks wryly, letting out a weak, hoarse laugh. With her feet curled around the edge of the seat, she hugs her knees to her chest. "I think it's just… I didn't know I could do something like that. And it doesn't even feel like I did it. Which makes me feel fucking crazy."
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He doesn't want Beverly thinking like that. Thinking something was wrong with her because she was able to defend herself when it counted the most. For Hopper, he feels a little bit better, knowing she's able to keep herself from danger like that.
"The rest..." He shakes his head. "I don't know. I can't imagine how it feels, knowing it happened without remembering. That's gotta be real weird."
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"It is," she says, nodding a little. "And... knowing, too, that I'd do the same thing again if I had to." No one is ever going to touch her without her permission again. She decided that a long time ago. She just didn't think it would take measures like this to protect herself.
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Darrow isn't the same as the regular world, whatever that means. Hawkins wasn't normal and he knows Derry wasn't either.
They come from places that try to kill them and they're still in one. Hopper is glad Beverly can keep herself safe if he can't.
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"I... I hate this, how it feels, all of it. But I don't regret it."
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Because she could, she's still here. Still alive, still part of his life, and Eleven's life. She's still here for her friends to love, for her future.
Hopper doesn't know how to say all that, so he just looks at her, holds her gaze, and hopes she sees how sincere he is.
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"Thanks," she says quietly. "I know... I mean, I figured that would be the case, but. It helps. Hearing it, or whatever."
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He'd kill the guy himself if he was still alive. These people wanted to hurt others, they wanted to cause trouble, to cause pain. He's not sad the ones who are dead are gone now and maybe he's not supposed to say that as a cop, but he can say it to Beverly without a bit of guilt.
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She doesn't know how to say that, though. Hopper knows more about that part of her life than just about anyone, so she wouldn't be surprised if he's guessed already, but she can't bring herself to put it into words, to acknowledge it outright.
"I mean, when you say it like that, it just makes sense," she says, sniffling through a laugh that comes out shakier than she'd have liked. "I'm here, and he's not, and... he won't hurt anyone else, either."
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He's never going to make her feel that way.
His hand falls on her shoulder, rubbing gently. "You shouldn't have had to take that on," he says. "I know you've seen some shit, kid, but... hell, you're still a kid. I wish I could've been there for you. To take care of it. I'm sorry I wasn't."
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"There's nothing for you to be sorry for, though," she adds, because it feels important. "Not like anyone knew a mediocre music festival would turn into some weird ritual sacrifice. There wasn't even any good music."
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His problem now is going to be letting her out of his sight for longer than five minutes, letting her go anywhere. She's proven over and over she can take care of herself, but that doesn't mean he wants her to have to. He needs to protect her, even when he knows all the same he can't. Not from everything.
"You ever need me, for anything, I'm right there," he promises. "I don't need an explanation. Got it?"
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But Hopper, for as long as she's known him, has been there. Even before he offered her a room in his apartment, and before he became her legal guardian, she learned quickly that he was someone she could rely on. It's all the more true now.
"So yeah. Got it."